Description
“A tangible, tender, and totally engaging tour de force, and balm for the dystopic time we’re caught in.” —Anne Waldman, feminist, activist, poet, Fast Talking Women
“A must-have resource for beat aficionados.” —Publishers Weekly
“Devotees of these Beat Generation icons will find these conversations between longtime friends both entertaining and revealing.” —Library Journal
“A conversation loaded with details, ideas, analyses, and a profound understanding of a moment in American literary history and the people who lived it.” —New York Journal of Books
Burroughs. Ginsberg. A never-before-published conversation about poetry, literary influences, shamanism, punk, and peyote.
In DON’T HIDE THE MADNESS, the fathers of the Beat movement converse about deeply intimate and personal history while gathered at Burroughs’ house in Lawrence, Kansas. The conversation includes discussion of:
- David Cronenberg’s film adaptation of Burroughs’ classic novel Naked Lunch
- Shamanism, including a detailed description of the shamanic exorcism of the demon Burroughs believes forced him to kill his common-law wife in 1951
- Literary associates, influences, techniques, and insights
- Punk rock’s contributions to counterculture lore
With the current political landscape mirroring many aspects of the early Beat period, DON’T HIDE THE MADNESS is particularly timely. Interest in both authors’ work is on the rise. Many consider these legendary icons’ perspectives to particularly prophetic.
DON’T HIDE THE MADNESS features a newly-commissioned illustration of Burroughs and Ginsberg by celebrated artist R. Crumb on the cover, as well as 17 rare photos by Ginsberg, many taken during the session.
DON’T HIDE THE MADNESS: William S. Burroughs in Conversation with Allen Ginsberg, edited by Steven Taylor; 6″ x 9″ Hardcover; color cover with b/w interior; 360 pages; ISBN 978-1-941110-70-6 (TRP-069); $26; October 16, 2018
About the Authors
William S. Burroughs was a primary figure of the Beat Generation and a major postmodernist author whose influence is considered to have affected a range of popular culture as well as literature. Burroughs wrote eighteen novels and novellas, including Naked Lunch, Junky, and Queer, as well as six collections of short stories and four collections of essays. In 1991, director David Cronenberg adapted Naked Lunch for the screen in a film starring Peter Weller, Judy Davis, Roy Scheider, and Ian Holm. Burroughs also collaborated on projects and recordings with numerous performers and musicians, and made many appearances as himself in films.
American poet, philosopher, and photographer Allen Ginsberg is considered to be one of the leading figures of both the Beat Generation during the 1950s and the counterculture that soon followed. He vigorously opposed militarism, economic materialism and sexual repression and was known as embodying various aspects of this counterculture, such as his views on drugs, hostility to bureaucracy and openness to Eastern religions. He was one of many influential American writers of his time known as the Beat Generation, which included famous writers such as Jack Kerouac and William S. Burroughs. Among his many published poetry collections, he is best known for Howl and Other Poems, Kaddish and Other Poems, and Collected Poems, 1947-1997.
About the Editor
Steven Taylor is a poet, musician, songwriter, and ethnomusicologist. He has published two books of poems and a musical ethnography, False Prophet: Field Notes from the Punk Underground . He has composed music for the theater, film, radio drama, and installations and made more than a dozen records with various artists His articles, reviews, essays, and poems have appeared in various anthologies and zines. From 1976-1996 he collaborated on music and poetry works with Allen Ginsberg, and has been a member of the seminal underground rock band The Fugs since 1984. He has also toured and recorded with Anne Waldman, Kenward Elmslie, and the New York hardcore band False Prophets. From 1990-2008 he was on the faculty at the Jack Kerouac School of Disembodied Poetics at Naropa University. He is senior editor at Reality Sandwich. He lives in Brooklyn.
High Praise for DON’T HIDE THE MADNESS
“Quite simply, this book offers unfiltered and never-before-seen insight and understanding into this famous time in American literature. … Writers today can relate to the processes of the Beats’ writings because they are both pushing against the status quo.” —BookTrib
“A conversation loaded with details, ideas, analyses, and a profound understanding of a moment in American literary history and the people who lived it.” —New York Journal of Books
“A surprising page-turner, full of hilarity and intimate asides–transcribed into an extremely readable and satisfying fly-on-the-wall of literary history . . . will make both fanboy and scholar sit up straight at attention. Oh, and the R. Crumb cover portrait of Allen & Bill is magnificent!” —Sensitive Skin Magazine
“A conversation between two literary geniuses of the 20th century whose impact on worldwide culture is so profound that it touches the fabric of our existence . . . tangible, tender, and totally engaging.” —Anne Waldman, feminist, activist, poet, Fast Talking Women
“A beautiful book where you are pleasantly sitting with two originators of Beat-ism, amazing to hear them talk with each other touching many different things. I love them so much I will buy more copies of this book.” —Gus Van Sant, director, artist, author
“Get your copy now before the country sinks into senescence or worse. Take this book home to unwind the mummy roll by roll.” –-Charles Plymell, first printer of Zap Comix; author, Last Of The Moccasins/Apocalypse Rose
“Steven Taylor’s transcriptions of Bill and Allen’s table talk are so accurate that it is just like being there with them: Bill restless, changing the subject – Allen doggedly pursuing his point. I learned much from it. If only we had them with us now.” —Barry Miles, author, Call Me Burroughs, Hippie
“It’s like pulling up your own chair and eavesdropping on genius at work. Editor Steven Taylor has done noble work here.” —Bill Morgan, author, The Best Minds of My Generation
“For those of us who missed our chance in meeting Burroughs, books like Don’t Hide the Madness prove invaluable. . . . Essential reading for those interested in experiencing Burroughs the man.” —Jed Birmingham, RealityStudio
“This book, their dialogue is a 20th century headstone! Like a crab’s eye at end of a stick, a penetrating riff on the starry dynamo of America.” —Dr. Peter Weller, PhD/Dept. of Art History / UCLA, MANCAT PROD. INC.
“Don’t Hide the Madness, the audio-taped conversations between William Burroughs & Allen Ginsberg, makes for a marvelous and very important contribution to American Letters.” —Gerard Malanga, poet, photographer, archivist
“William and Allen intersected every critical counter-culture signpost of the late 20th century as confidantes, critics, lovers and true representatives of our radical minds. Let us bask in their beatific banter and glean their energy of intellect, eros and rapacious vision. Straight world be damned!” —Thurston Moore, musician
“Allen and Bill, still talking, all the many years later, still examining life‘s expanse – much of which they traveled in well documented tandem – now from the far shore. We have their nimble old-age (and age-old) words to guide us still. How lucky we are!” —Lee Ranaldo, writer, musician
“For any fan, student, or scholar of Allen Ginsberg, William Burroughs and the Beat Generation, Don’t Hide the Madness is an absolutely essential read. . . . A treasure trove of insight, humor, beauty and wisdom.” —S.A. Griffin (Carma Bums)