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Last Boat to Yokohama:
The Life and Legacy of Beate Sirota Gordon

by Nassrine Azimi and Michel Wasserman

Last Boat to Yokohama

Last Boat to Yokohama

“All of us have a lot to learn from Beate Gordon—a woman with the courage to match her convictions.” — Yoko Ono

“An important book. Every woman on both sides of the Pacific should know about Beate Sirota Gordon and what she did for the women of Japan.” —Martha Burk, Money Editor, Ms. Magazine; Director, Corporate Accountability Project, NCWO; Equal Time with Martha Burk, KSFR

“A splendid book. You must get a copy of LAST BOAT TO YOKOHAMA for yourself. I will not lend mine.” — Dick Cavett, talk show host, actor and writer

“What [Beate] did as a woman in helping to create Japan’s new constitution is historic. Few women of the 20th century have had her courage and vision.” — Robert Wilson, experimental theater director and playwright

In 1946, a remarkable woman secretly helped create Japan’s new constitution, contributing a revolutionary article, which stated: “All of the people are equal under the law and there shall be no discrimination in political, economic or social relations because of race, creed, sex, social status or family origin.” Few could imagine that these words were the work of a then twenty-two-year-old Vienna-born, naturalized American of Ukrainian-Jewish descent who had grown up in Japan. Her name was Beate Sirota, and she remains an idol for generations of Japanese women to this day. Moreover, her remarkable early-life achievement with the constitution was followed by four decades of trailblazing cultural work, bringing authentic Asian music, dance and theatrical performers to the United States—often for the first time ever—thus bridging East and West through art.

LAST BOAT TO YOKOHAMA offers an in-depth look at the world from which the singular Beate came, with detailed discussions of her father, the world-renowned classical pianist Leo Sirota, personal diaries from the World War II era by her mother, Augustine, as well as a penetrating review of Beate’s early and later life, including never-before-published interviews between the authors and Beate. The book also examines the effect of Beate’s work on the constitution, including a timely study of Article 9—the “peace treaty”, as well as articles mandating women’s equality. Additionally, the authors detail Beate’s impact on American culture through her dedication to introducing authentic music of the Far East, influencing a broad range of contemporary cultural figures including David Byrne, Peter Sellars, and Robert Wilson.

Authors Nassrine Azimi and Michel Wasserman were given unprecedented access to Beate’s family and their archives. As a result, LAST BOAT TO YOKOHAMA includes a foreword by Beate written before her death in 2012, exclusive interviews with Beate about her contribution to Japan’s constitution and her work with the Japan and Asia Society, a postface by her daughter, Nicole Gordon, and a moving elegy by her son, Geoffrey Gordon. Historic Sirota family photos
accompany each chapter.

LAST BOAT TO YOKOHAMA: The Life and Legacy of Beate Sirota Gordon
by Nassrine Azimi and Michel Wasserman
Biography | 168 pp. / $15.95
978-1-941110-18-8 (trade paper) • 978-1-941110-19-5 (ebook)
Publication date: May 12, 2015


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Beate Sirota Gordon photo by Mark Stern

Beate Sirota Gordon

photo by Mark Stern

High Praise for LAST BOAT TO YOKOHAMA and Beate Sirota Gordon

“The story of the life of Beate Sirota is an inspiring one, and one that continues to inspire long after she has left the room. She set an example for all individuals, regardless of gender or nationality, that one person — however modest, however unprepared for history — can make a difference.” —Roger Pulvers, The Japan Times

“Nassrine Azimi and Michel Wasserman pay tribute to Beate Sirota Gordon, champion of the arts and part of the American team who developed Japan’s postwar constitution under General MacArthur. . . . LAST BOAT TO YOKOHAMA gathers respectful reflections that shed light on a specific moment in history and on one woman’s remarkable career.” —Foreword Reviews

“Anything about the remarkable Beate Gordon is interesting. And that’s too mild an adjective. 
Nassrine Azimi and Michel Wasserman continue this tradition in their splendid new book, “Last Boat to Yokohama.”  I was lucky enough to know Beate and my admiration for her is unlimited. You must get a copy for yourself. I will not lend mine.” —Dick Cavett, talk show host, actor and writer

“Beate Gordon was an amazing woman who was a pioneer in many ways. What she did as a woman in helping to create Japan’s new constitution is historic. She introduced to me Suzushi Hanayagi. We collaborated on 15 major works for opera and theatre. Suzushi changed my life. It was the wisdom of Beate to bring us together. Few women of the 20th century have had her courage and vision. She did in the 20th century what Admiral Perry did in the mid 19th century.” —Robert Wilson, experimental theater director and playwright

“An inspiring book about an inspiring woman.” —Tommy Koh, Ambassador-at-Large, Ministry of Foreign Affairs, Singapore; and Chairperson, Water Leaders Summit

“A fascinating book about an extraordinary woman.” —BookPleasures


About the Authors

Nassrine Azimi

Nassrine Azimi

Nassrine Azimi

Nassrine Azimi co-founded and now coordinates the Green Legacy Hiroshima (GLH) Initiative, a global campaign to plant seeds and saplings of trees that survived the atomic bombing of Hiroshima throughout the world. In 2003, she established the Hiroshima Office for Asia and the Pacific, United Nations Institute for Training and Research (UNITAR), serving as its director until 2009. Azimi has written and published extensively on UN peacekeeping, post-conflict reconstruction, and environmental governance. She lives in Hiroshima, Japan.
 
 
 

Michel Wasserman

Michel Wasserman

Michel Wasserman

Michel Wasserman is the former director of the Kyoto French Cultural Institute and of a French “artist in residence” program in Kyoto, the Villa Kujoyama. He is currently professor at the College of International Relations, Ritsumeikan University. A Paris III doctor in oriental studies, Michel Wasserman has worked and written extensively on Japanese traditional theatre, especially Kabuki, and has also published various books on the reception of western music in Japan. He lives in Kyoto, Japan.
 
 
 


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